(My wife’s post on Facebook)
Serene in tradition, radiant in wander,
From temple silk to garden bloom,
From saree to sunhat, I carry smiles,
A spirit woven in tranquillity and joy,
Two sides of me, one timeless soul. 🙂
- N. Lalitha Raghu
(My wife’s post on Facebook)
Serene in tradition, radiant in wander,
From temple silk to garden bloom,
From saree to sunhat, I carry smiles,
A spirit woven in tranquillity and joy,
Two sides of me, one timeless soul. 🙂
- N. Lalitha Raghu
Today,
around noon, I captured a moment of pure wonder: sunlight streaming through our
trees, scattering into countless twinkling rays that looked like stars woven
into a canopy. Though the summer sun blazed fiercely above, beneath the trees,
there was shade, coolness, and a gentle breeze that turned the space into a
sanctuary where I could carry out the morning walk I had missed today.
A VIDEO:
Nature has its own way of balancing extremes, brilliance above, serenity below, reminding us that beauty often hides in contrasts.
In the heart of bustling Vijayawada,
amid the sacred shadows of Goddess Sri Kanaka Durga, at the Temple's guest
house, stands a colossal banyan tree that commands awe and reverence. As you
might be aware, banyan trees are cultural icons in India, symbolizing
immortality, longevity, and divinity. The banyan tree is also known as Kalpavriksha,
meaning: wish-fulfilling tree. This ancient giant, with its towering canopy and
massive, gnarled trunk wrapped in sacred threads and vermilion, defies the
urban sprawl surrounding it.
Locals revere this banyan tree as a
timeless landmark, its roots plunging deep into the earth like the temple's
spiritual legacy on Indrakeeladri hill. Adorned at the base with vibrant idols
of deities, Goddess Kanaka Durga, Shiva, Ganesha, Hanuman, Naga Devatha, and
others, on a sturdy concrete platform with adorned steps, it serves as a
mini-shrine where devotees offer prayers and flowers. The tree's sprawling
branches shelter the guest house courtyard, parked cars, and passersby,
creating a green oasis against the concrete buildings.
What fascinated me most was not just
its size, but its survival. There is no visible water source nearby, no open
soil in the conventional sense. Enclosed within cement and urban structure, one
wonders, how does it sustain itself? Perhaps its roots run deeper than we can
see, reaching hidden veins of moisture beneath the city. Or perhaps, like many
sacred things, its existence defies simple explanation.
Standing beside it with my wife, we
felt a sense of calm that is rare in urban spaces. The sunlight filtering
through the leaves felt like divine blessings from the nearby Kanaka Durga
Temple. It was not just a photo opportunity; it was a moment of quiet
reflection. The tree seemed to whisper stories of the past, of countless
pilgrims who must have stood in the same spot, looked up at the same branches,
and felt the same sense of wonder.
This banyan not only endures but
inspires, a testament to resilience amid city life. It reminds us that some
wonders root deeper than steel and stone, guarding the divine in plain sight.
On
March 30, 2026, we set out on a three-day trip to seek the blessings of Goddess
Kanaka Durga at the Sri Durga Malleshwara Swamy Temple in Vijayawada. Yet the
journey held a surprise for us; it gently led us beyond our plan to Jammi
Doddi, the sacred enclosure of the Jammi (Shami) tree, a place little known outside
Vijayawada but rich in history and spiritual depth.
For
our stay, I had booked accommodation online at the temple-managed Jammi Doddi
Guest House, mainly for its convenient 8:00 am check-in and check-out time,
air-conditioned comfort, and proximity to the temple. Located on Brahmin Street
in the One Town area, it appeared to be a practical choice, though we soon
discovered it was far more than just a place to stay.
Our
first glimpse into the significance of Jammi Doddi came from a kind
autorickshaw driver, who took us from Vijayawada railway station to the Guest
House. He proudly spoke of its importance in Vijayawada’s cultural and
spiritual landscape. He mentioned the grand Dasara celebrations held here and
the sacred Jammi tree that once stood in this area, giving it the name “Jammi
Doddi.” According to local belief, it is here that Goddess Kanaka Durga rested
before manifesting herself on the Indrakeeladri Hill.
As
we learned further from the guest house staff, the Jammi/Shami tree holds deep
significance in Hindu tradition. Worship of this tree, especially through the
ritual of Shami Pooja during Vijayadashami, symbolizes victory, prosperity, and
the removal of obstacles. Devotees believe that offering prayers to the Jammi
tree invokes divine blessings, a practice rooted in ancient scriptures and
continued with devotion to this day.
Jammi
Doddi is also associated with the revered saint Sripathi Panditharadhya, a
great Shiva devotee whose spiritual presence is believed to have sanctified
this area. It is said that this locality once served as a foundational center, a
“root temple”, from which the worship traditions of the Indrakeeladri deities
gradually expanded. Over time, the hill shrine grew in prominence, but Jammi
Doddi retained its importance as a spiritual starting point.
Even
today, during major temple festivals, especially Dasara, ceremonial processions
are known to originate from or pass through this area, reinforcing its
continuing role in the sacred traditions of Vijayawada. Adding to its
historical depth, inscriptions discovered in and around Jammi Doddi are
believed to date back several centuries, offering glimpses into the religious
practices and temple administration of earlier times.
Staying
here, even briefly, gave us a sense of being connected to a living field of
devotion, history, and tradition. What began as a simple and practical
accommodation choice turned into a deeply enriching spiritual experience.
This
visit, shared with my wife, remains memorable not only for the divine darshan
at the temple but also for the quiet and meaningful discovery of Jammi Doddi, where
mythology, history, and devotion come together.
Though
we have visited Vijayawada a few times over the years, drawn to the sacred pilgrimage
to the Indrakeeladri hill, home to Goddess Sri Kanaka Durga, we somehow always
missed the ancient nearby Undavalli Caves. That changed on 31st March, 2026,
when we finally made the short trip and discovered a treasure of history and
serenity.
Undavalli
caves are just six kilometers away from Indrakeeladri across the Prakasham barrage
over the Krishna River. These four-story caves, carved out of solid sandstone
in the 6th-7th century, stand as a remarkable testament to India’s layered
religious and architectural history. Originally associated with Jain monks,
later serving as Buddhist viharas, and eventually transformed into Hindu
shrines, they embody the cultural transitions of coastal Andhra. It is recorded
that the caves were under the patronage of the local kings until the 16th
century. The architecture reflects the Chalukya-period rock-cut styles, with
multiple levels, pillared halls, and sculpted deities that speak of devotion and
artistry across centuries.
We
wandered leisurely through the caves, admiring the elevation, the sculptures,
and the atmosphere steeped in antiquity. Out of sheer excitement, we
photographed almost every idol and carving, each frame capturing a piece of
timeless heritage. There are idols of all our Hindu Gods and Goddesses, as you
can see in the attached pictures. The absence of crowds allowed us to soak in
the grandeur at our own pace, making the experience deeply personal and
fulfilling.
The
highlight of our visit was the magnificent, almost 18-foot-long idol of Lord Vishnu
in a reclining posture, carved from a single block of stone. Standing before
it, praying and posing for photographs, we felt a rare intimacy with the
divine, unhurried and serene.
Today,
the caves are under the care of the Archaeological Survey of India (ASI), which
has ensured their preservation with neat pathways, gardens, and greenery that
enhance the visitor’s experience.
Undavalli
Caves are not just monuments; they are living echoes of India’s spiritual
journey, preserved with care yet offering a rare tranquility. Our visit, long
delayed but finally realized, became a cherished memory, an encounter with
history, devotion, and beauty that will remain etched in our hearts and in the
photographs we brought home.
On the morning of 9th
February 2026, we set out on a delightful sightseeing trip to the enchanting environs
of Poovar, nestled in the Thiruvananthapuram district of Kerala.
Our two-hour motorboat
cruise on and along the serene backwaters of the Neyyar River unfolded like a
beautiful story, each moment revealing a new facet of nature’s charm. As the
boat glided gently forward, we passed through stretches of dense mangroves with
their intertwining roots and countless overhanging branches forming a natural
canopy, followed by a picturesque coconut tree island swaying gracefully in the
breeze, and a forest island. The journey continued alongside quiet forested
patches and through the historic AVM Canal, the water-link connecting
Thiruvananthapuram to Kanyakumari, offering glimpses of both nature and human
ingenuity. Along the way, we came across a serene Meditation Point that seemed
to radiate calm, the intriguingly shaped Elephant Rock, and all along birds… here
nature thrived undisturbed. The sight of elegant floating cottages and a few
charming resorts lining the waterways added a touch of quiet luxury to the
landscape.
The most captivating
moment of the trip was reaching the Estuary, where the tranquil waters of the
Neyyar River meet the vast expanse of the Arabian Sea. From there, we arrived
at the famed Golden Sand Beach, a secluded and pristine stretch accessible only
by boat, where the golden sands, gentle waves, and the endless horizon of the
sea created a scene of pure serenity.
Poovar, with its unique
blend of river, backwaters, beach, and sea, truly stands out as a hidden gem.
Surrounded by lush greenery and unspoiled beauty, it offers an immersive
experience of Kerala’s rich ecosystem and tranquil coastal life. The backwater cruise,
whether on a motorboat like ours or a traditional houseboat, is undoubtedly one
of the best ways to experience this natural paradise.
(My wife’s post on Facebook) Serene in tradition, radiant in wander, From temple silk to garden bloom, From saree to sunhat, I carry smile...